Nobody Knows I’m Here is directed by Gaspar Antillo and stars American actor/comedian Jorge Garcia. It just takes too long to get these ideas into the plot thanks to the clichéd handling of its protagonist’s dark past. There are no featured audience reviews for Nobody Knows I'm Here (Nadie Sabe que estoy Aquí) at this time. Nobody Knows I'm Here nurtures itself with the minimalist pop tracks and beautifully contrast the traumatic prison that Memo finds himself trapped in. The art direction, however, is intriguing, making Braulio’s house into a messy, lived-in character of its own that could convincingly house a grumpy old man and his introverted, tortured nephew. Memo likes breaking into people’s houses for reasons unexplained, and would appear to be on the autism spectrum though a line of dialogue negates that. Odie "Odienator" Henderson has spent over 33 years working in Information Technology. Nobody knows, yet everybody thinks they know, about Memo, the virtually mute, misunderstood recluse with a glorious singing voice, yearning to be heard. Like Nobody Knows I’m Here, the bulk of that film conforms to the laws of physics, but there are sudden spillages of magic and metaphor that challenge simple notions of reality and fantasy. The Chilean landscape is also used to great effect here. Director Gaspar Antillo occasionally untethers the film from reality, which isn’t really a problem but it left me uncertain if the film’s penultimate scene really happened. Instead, Nobody Knows I’m Here leans into its character-driven study and allows Jorge Garcia to come into his own and bring this multi-faceted character to life. Cinema of Herself: On Four Short Films by Haaniyah Angus, Amazon Prime’s The Wilds is the Unexpected Hit of the Season, New Works Virtual Festival Now Running Through Christmas Day, The Godfather Coda: The Death of Michael Corleone. Not all the misdirection is elegant, but the film’s tenderness flowers in a lovely, unexpected final shot. ‘Nobody Knows I’m Here’ Review: Letting a Repressed Tune Ring Out, Jorge Garcia in “Nobody Knows I’m Here.”. Have you watched Nobody Knows I’m Here?, let us know what you thought in the comments below, feel free to share this review on any of the social medias, and you can follow us Here. Memo is so uncomfortable being on the mainland when it’s teeming with people that he doesn’t stay to learn of his uncle’s fate once he’s hospitalized. However, the festival was postponed due to the COVID-19 pandemic. Memo likes breaking into people’s houses for reasons unexplained, and would appear to be on the autism spectrum though a line of dialogue negates that. He helps his uncle tend sheep while refusing any attempt to attend public events or be sociable. Marta allows him to record a video to her phone, which she sticks on YouTube without his knowledge. The film has been directed by Gaspar Antillo. Even his uncle Braulio (Luis Gnecco), who appears to be his only friend, does not truly understand Memo. Despite the mysterious aura, “Nobody Knows I’m Here” wastes little time establishing Memo’s backstory: Grainy video recounts the melodic voice … Here’s the part I can tell you: Back in his youth, Memo auditioned with a shady manager who loved his voice, but not the package that housed it. “This is about more than music,” the manager tells Memo’s father, Jacinto (Alejandro Goic). This is one of those films that makes the viewer work for the answers they are seeking. If you’re wondering why Netflix would be promoting an arthouse film from Chile, you probably didn’t recognize that Jorge Garcia is the same guy from “Lost.” I cop to not catching that at all, even if my brain kept telling me I’d seen his face before, because I’ve never seen an episode of “Lost.” Being unfamiliar with his acting was probably a plus; Garcia is a big guy who can credibly hang either menace or wounded emotion from his frame. Watch on Netflix. Dubbed in English on Netflix (which can be a little jarring but you get passed it after a few minutes), the Chilean film is an examination on the media’s shallow portrayal of beauty, the temptation of fame, and agony of shame. Additionally, the cinematography is often so dark that I could barely make out what was happening without watching multiple times. It’s a striking fate for the vocalist behind an English-language smash with the rather on-the-nose title “Nobody Knows I’m Here.” The movie, proceeding through gliding camera moves and stretches of plotless routine, concerns how Memo finally asserts his presence, thanks in part to a friendship with Marta (Millaray Lobos), who visits regularly from the mainland. Parents need to know that Nobody Knows I'm Here is a 2020 Chilean film (with English subtitles) that addresses the lasting damage done to talented kids who try to make it in the entertainment world. Nobody Knows I’m Here is essentially a drama. The adult Memo clings to his dreams of stardom, stitching fabulous costumes to wear while his imagination ponders what could have been. He has difficulty connecting with other people. This film is Antillo’s debut. When Marta comments on a book by famed celebrity Angelo Cassas (Gaston Pauls) on the coffee table, Memo reacts violently. 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